James Ijames' Fat Ham at PlayMakers Rep Gives Shakespeare's Hamlet a New and Colorful Twist
“Fat Ham, playing now through Feb. 18th in the Paul Green Theatre, is the most recent play by James Ijames' (pronounced "times" without the "t") that is based on Shakespeare's Hamlet. But rather than focusing on an outdated Danish royal family, Fat Ham centers on a contemporary Black family at a cookout in none other than North Carolina.”
On Your Feet! The Story of Emilio & Gloria Estefan is a Pop Concert, Dance Party, Documentary, and Musical Theater, All Rolled Into One
“It's a shame that there is only one more performance of On Your Feet! -- at 7:30 p.m. tonight at DPAC. The house should be filled for the show's final Durham performance, and audience members should inform the producers and DPAC that they want it back for a longer run next year.”
Mean Girls at DPAC May Be the Best Musical That I've Ever Seen
“I would see the performance again tonight just to hear Natalie Shaw’s solos a second time, but there’s so much more to the musical than her enchanting voice. It would be a shame if the house were not full for all the remaining performances, particularly given the number of angsty teenagers we have in the Triangle who would benefit from its viewing.”
Funny Girl at DPAC Is a Bucket-List American Classic
“Director Michael Mayer and stage manager Jovon E. Shuck have their hands full with this production of Funny Girl, but they can clearly handle the weight. They deserve the house to be full for every remaining performance. And YOU deserve to see it!”
DSA Theatre Troupe 5765's Into the Woods Meets Sold-Out Audience's Expectations
“Director and DSA theatre teacher Douglas Graves can once again hold his head high with DSA’s 2023-24 high school students’ performance of this year’s production of Into the Woods, as should assistant stage managers Clark Beckstrom, Emily Neill, and Sasha Wolfrum, all DSA students. DSA students were responsible for every part of the production, which was sometimes hard to believe given its professional quality.”
Prince Hal at Breweries Is a Win-Win Proposition
“I highly recommend Scrap Paper Shakespeare's remaining brewery-located performances to parents who are looking for a place to have a drink while doing something productive with their teen or tween children. I was just glad my 13-year-old got some outside-the-book exposure to Shakespeare. Turns out, he thoroughly enjoyed the first act and at times actually explained to me what was going on. “
British Comedic Icon Delighted His Triangle Fans with An Evening with the Late John Cleese
“Death is certainly a taboo enough subject for Cleese's brand of comedy (and that of his Monty Python peers), particularly among older people who don't even want to acknowledge its encroaching inevitability. You would think that such a stereotypically dark theme would doom a comedy show from the start. But, for most of the audience, including my son and me, this couldn't have been farther from the truth.”
PlayMakers Rep's Rendition of Stephen King's Misery Is Perfect Friday the 13th Fare
“Not only are the set, lighting, sound, and costume design top notch; but the characters' inner feelings and thoughts are visible in a way that cannot be accomplished without effectively passionate direction. PlayMakers Rep's presentation of Misery is a team effort, and they makes you a part of that team the minute you walk into the Paul Green Theatre. Adding this to the near-guaranteed thrill of Stephen King's scary storytelling, how can you miss it?”
The World Premiere of Ona by Keith Burridge Vividly Dramatizes a Forgotten But Still Pertinent Chapter of 19th Century U.S. History
“Ona centers around Martha Washington's personal house slave Ona Judge. I'd never heard of her; and I'm not alone, which is not coincidental. thirty-five American states still censor discussion of slavery in secondary-school classrooms, which inevitably hinders public discussion altogether.”
Clyde's at PlayMakers Rep Puts Its Audience in the Shoes of the Formerly Incarcerated
“The riding momentum behind PlayMakers' production of this iconic play is toward social consciousness and literacy when it comes to addressing the denigrating, disparaging, and (seemingly) hopeless experiences that previously incarcerated people face every day. We nod our heads empathetically when the subject comes up in conversation, but how many of us with no incarceration experience ever put ourselves in their shoes? This is desperately needed, and seeing Clyde's is a good start.”
Sound Problems Make Ride the Cyclone a Bumpy Ride
“The highlight of the production is Kayla Petrille's expert portrayal of the doll-like Jane Doe, particularly her piercing, siren-like voice whenever she opens her mouth and especially when she sings. This is no surprise, as Petrille teaches voice lessons full time and has the most performing experience among the actors. “
Lights! Costumes! Magic! Beetlejuice Brings the DPAC Audience to Its Feet!
“The costume and physical appearance of Lydia (Isabella Esler) is delightfully reminiscent of Christina Ricci's wardrobe as Wednesday in the 1991 film adaptation of The Addams Family or the costumes that Winona Rider wore when she played Lydia in Tim Burton's 1988 movie Beetlejuice. Whether speaking or singing, Esler's voice is prominent and clear, with the made-for-stage lilt and vibrato of a pop star.”
John Frazier Lights Up the PSI Stage as Ladies' Man Garry Essendine in Noël Coward's Present Laughter
Present Laughter, which was written in 1939, but not staged until 1942, due to World War II, opens on a young woman in her dressing robe, waiting in a sitting room for world-loved comic actor Garry Essendine to emerge from his bedroom. Daphne, played in dramatic juvenile fashion by Dani Coan, forgot her latchkey the previous night and had to spend the night in Essendine's "spare room" …
Alanis Morissette's Jagged Little Pill Earns a Standing Ovation at the Durham Performing Arts Center
When the musical debuted in 2018, it became the highest-grossing production at the American Repertory Theater in Cambridge, MA, which is no surprise, given that Alanis Morissette's album by the same name is considered one of the most important albums of the '90s and of the alternative rock genre in general, selling 33 million copies, topping the charts in 13 countries, and winning five GRAMMYS, including Album of the Year….
Durham Students Sparkled in An Evening to Shine on Feb. 21st at DPAC
An Evening to Shine is an annual event, presented at the Durham Performing Arts Center by Durham Public Schools (DPS), in partnership with the Durham Public Schools Foundation, which showcases the talents of dedicated youth from every public school in the county. [Of note, the DPS Scholarship Foundation merged with the DPS Foundation in 2020.] Only a handful of students are selected from each school, and they must commit to five weekly two-hour rehearsals, plus two full days of preparation at DPAC before show time…
The Justice Theater Project's Performance of Mark St. Germain's Best of Enemies Is Transformative
As a young, Afro-Latina woman, Yamila Monge said that she wants the production to demonstrate appreciation for the difficult trailblazing of the previous generation and their glowing, though generally not well-known, examples of the healing transformation that can occur when even the most heated adversaries agree to work together and listen to one another…
Come From Away at DPAC Tells the True Story of the Stranding of 7000 Airline Passengers in Gander, Newfoundland, After 9/11
I was a little wary about seeing the Durham Performing Arts Center's presentation of Come from Away, playing through Sunday, Jan. 22nd, as part of WRAL Greatest Hits of Broadway at DPAC. This 2013 Sheridan College Canadian Music Theatre Project, 2017 Broadway, and 2019 West End musical, written by Irene Sankoff and David Hein, is based on the emergency landing of 38 airplanes (with 7,000 total passengers) in the Newfoundland town of Gander (population: 11,880) after the September 11, 2001 attacks.
The Beautiful Attrition of Family Relics
We have forfeited my grandmother’s chair to the cat and are appreciating its beautiful attrition…
After Seeing JTP's Black Nativity in Concert, All This Reviewer Can Say Is, "Wowwie Wow Wow!"
I had the privilege of going to The Justice Theater Project's 2022 production of Langston Hughes' Black Nativity: A Gospel Christmas Musical Experience in Concerton Sunday, Dec 11th, at the Mount Calvary United Church of Christ in Durham; and can I just say: Wowwie Wow Wow...
Hairspray Will Have You Singing When You Wake Up the Next Morning
I woke up this morning humming "You Can't Stop the Beat," the hit song written by Marc Shaiman and Scott Wittman for the 2002 hit Broadway musical Hairspray, playing now through Sunday, Nov. 20th, at the Durham Performing Arts Center. It wasn't just the music that was in my head. Images of the actors in the Tuesday-night performance of this romantic comedy by Mark O'Donnell and Thomas Meehan (based on John Waters' 1988 film) were singing and dancing across my mind as well. This can only make for a good review.